Leda And The Swan By William Butler Yeats

Leda And The say By William Butler YeatsLeda and the Swan is a verse form written by William Butler Yeats. It is a 4teen line sonnet. The verse has many divergent themes, but the single of sex is the most apparent one. Yeats describes the angry travel of infringement but makes it expert almost beautiful and genuinely sexual. The frost scheme and cycle of the numbers are both very important. The championship of the poem is very critical to the overall meaning of the poem as well. Imagery is used liberally end-to-end the poem also. Figure of delivery like synecdoche, metaphor, personification, alliteration, allusion, and onomatopoeia are also seen throughout the length of the poem. This poem is very beautiful and has much meaning behind it. Not only is it a work of art in writing, it also gives us a flavor of history.When analyzing any poem, the title is almost always extremely significant. This is the case in Leda and the Swan. The title is an allusion to the story of Leda being appald by Zeus. Zeus transforms himself into a swan, and the result of his rape impregnates Leda. She is also pregnant from her husband, and therefore is baring four children in her womb. This story continues to go on and ties in with the story of the trojan War. The poem itself describes the rape of Leda, and nothing more. It begins with the swan descending on Leda and reservoir the act of rape. Yeats, then, begins to give descriptions of the sexual act making them sound violent but at the same time very sexual. Ironically, he makes the rape sound almost beautiful. The poem is a fourteen line sonnet. in that location is a rhyme scheme which goes, abab cdcd efgefg. The starting signal line of the poem ends with the interchange still (1) which has a contract rhyme to the third line of them poem ending with bill, (3). The second line of the poem ends with the word caressed (2) and the fourth one ends with breast. (4). This kind of rhyme scheme continues in the next stanza rhyming lines vanadium and seven push (5) and rush, (7), and lines six and eight thighs? (6) and lies? (8). The conclusion two stanzas, however, nail apart from the rhyme scheme of the first two stanzas by having the first line of the third stanza, line nine rhyme with line cardinal there (9) and air, (12). Also, line ten is found to rhyme with line eleven tower (10) and power (13). Last, lines eleven and fourteen also rhyme, up, (11) and drop? (14). The rhythm of the poem is also a very interesting one. When read, the poem sounds as if one is telling a story, almost like a come time story. It sounds very soothing. Although some course like sudden (1), tremor (9), and burning (10) break off the rhythm of the poem and make it sound slightly less soothing, it is still an easy read and an evenly period poem.Imagery is seen very much throughout the poem. Yeats is very descriptive in this sonnet, therefore the many things he describes allows the reader to literally visua lize the poem in their minds. It begins with the image of the swans first contact with Leda. Describing her thighs being caressed / By the evil webs, (2-3) The author continues to describe the sexual seen and allows the reader to envision a violent, even so sensual rape occurring. He describes the Leda attempting to push the swans feathered glory from her rest thighs (4-5), but being unsuccessful. He continues describing, in a way, the way that Leda whitethorn be feeling feel the distant shopping center beating (7). By using words that sound more calm and sweet, he makes the rape seem almost sensual, and in a way, as if Leda wanted it as well. This continues throughout the poem evoking many different kinds of images from the reader, some being pleasant and some not.Synecdoche is a figure of speech that is seen very often throughout the poem. The reader whitethorn notice the swan being described without rattling being called the swan. Yeats uses many different parts of the swa n or words that may symbolize the swan, when attempting to directly refer to the swan. For example, in the first stanza it says A sudden blow the great wings beating still / to a higher place the staggering girl, her thighs caressed / By the dark webs, her nape caught in his bill, (1-3) One may notice that the dark webs in line three stand for the swans web feet. Next, So mastered by the brute argument of the air, (12) the brute blood is actually describing the swan. The swan is the one master of the air. It continues to do this in the last line of the poem while saying Before the indifferent pick at could let her drop? (14). the indifferent beak is, once again, a direct reference to the swan himself. He is the one who can finally let her drop when he is finished with her. Another example of synecdoche in the poem is when Yeats uses words other than Ledas name to refer to her. For example, in line seven we read, And how can body, laid in that white rush, / But feel the strange h eart beating where it lies (7-8) Here, we see Yeats using the word body in reference to Leda. It is Leda that is laying under all the white rush and feels the heart beating of the swan.